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Catalogues Raisonnés
Hollis Taggart Galleries is committed to new scholarship in American art. We are delighted to be part of the following catalogues raisonnés. Composed of nearly 1,500 entries, the catalogue raisonné of Pennsylvania Impressionist Daniel Garber is now completed and available for purchase on our website at Daniel Garber Catalogue Raisonné. In 2000, the gallery launched the catalogue raisonné of Frederick Carl Frieseke; the artist's grandson is overseeing the project. We are also pleased to be involved with the catalogue raisonné for pioneering Modernist Manierre Dawson. More information on the project is available at www.manierredawson.com.

Frederick Carl Frieseke (1874-1939)
Premier American Impressionist Frederick Carl Frieseke settled in the French village of Giverny, forty miles northwest of Paris, shortly after 1900. Frieseke was the leading figure among the second generation of Americans in Giverny, which included painters Richard E. Miller, Louis Ritman, Lawton Parker, and Edmund Greacen.

Frieseke’s interpretation of Impressionism incorporated brilliant effects of sun and light in outdoor settings, and complex, richly patterned interiors that recall the intimisme of Pierre Bonnard. Frieseke’s work enjoyed critical attention throughout his career; Frieseke exhibited extensively, both in the United States and in his adopted France.

Documenting the artist’s innovative vision, the catalogue raisonné will be the authoritative reference work on Frieseke.

Frederick Frieseke Full Biography

Daniel Garber (1880-1958)
Heralded as one of the most important artists of his day, Pennsylvania artist Daniel Garber created a vast oeuvre on canvas and on paper, encompassing exquisitely painted, drawn, and etched images of the Pennsylvania countryside and the artist’s family at leisure.

Garber was one of a small group of artists who worked in the vicinity of New Hope, Pennsylvania, a small idyllic town on the shore of a leisurely stretch of the Delaware River. Consequently, these artists were called, alternatively, the Pennsylvania School, the Delaware Valley School, or more often the New Hope School of painters. By the second decade of this century this group of artists, almost all of them landscape painters, were a major force in the annual exhibitions held at the regional art museums throughout the United States. In a 1915 article, artist and critic Guy Pène du Bois observed that the paintings by these artists were “our first truly national expression.”

Between 1907 and the mid 1920s he won most of the prizes available to him in both landscape and figure painting at the Pennsylvania Academy, the National Academy of Design, and other major juried competitions. His pictures were avidly collected and promoted by numerous museums nationwide. This catalogue raisonné reveals the artist’s breadth and skill, and serves as a valuable resource for the field of American art.

Daniel Garber Full Biography
Purchase the Daniel Garber Catalogue Raisonné

Marierre Dawson (1887–1969)
Manierre Dawson's experimental nature and revolutionary style established him as a pioneer of the Modernist movement. He was one of the first Americans to paint in a non-objective manner, preceding Arthur Dove by two years. His first abstract paintings were produced in 1910, and he developed his own variation of Cubism.

Dawson is represented in numerous public collections, notably, the Whitney Museum of American Art, New York; Brooklyn Museum, New York; Art Institute of Chicago, Illinois; Smithsonian Institution, Washington D.C.; Milwaukee Art Center, Wisconsin; High Museum of Art, Georgia; Illinois State Museum of Art, Springfield, and the Columbus Museum of Art, Ohio.

More information on the project is available at manierredawson.com.

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