Hollis Taggart

Gallery Latest

1 / 9
Sheila Isham at the Newport Art Museum

Sheila Isham at the Newport Art Museum

'Sheila Isham: Between Worlds'
10 July 2026 – 28 February 2027
Great Abstract and Abstract-Adjacent Exhibitions Around New York - Whitehot Magazine

Great Abstract and Abstract-Adjacent Exhibitions Around New York

Elizabeth Abel: Acquiescence at Hollis Taggart Downtown (April 10 - May 10, 2026)
Whitehot Magazine, June 12, 2026
Independent 20th Century Announces Details of 2026 Fair at the Breuer Building - Artforum

Independent 20th Century Announces Details of 2026 Fair at the Breuer Building

Artforum, June 11, 2026
Independent 20th Century adds 75% more exhibitors as it moves to the Breuer Building - The Art Newspaper

Independent 20th Century adds 75% more exhibitors as it moves to the Breuer Building

The Art Newspaper, June 10, 2026
Independent 20th Century Heads to the Breuer With Its Biggest Edition Yet - Artnews

Independent 20th Century Heads to the Breuer With Its Biggest Edition Yet

ARTnews, June 10, 2026
9 Defining Portraits of Marilyn Monroe - Artsy

9 Defining Portraits of Marilyn Monroe

Artsy, June 3, 2026
1 / 9

In Focus

1 / 2
He Was a Leathersmith Sought Out by Rock Stars. Then, Frank Diaz Escalet Turned to Art - Artnet News

He Was a Leathersmith Sought Out by Rock Stars. Then, Frank Diaz Escalet Turned to Art

A 1987 newspaper article about the artist Frank Diaz Escalet noted that his inlaid leather paintings were joined by seams so fine that they were barely noticeable, even upon touch. The imperceptibility of Escalet’s methods is akin to his presence in art history: extraordinary but often overlooked. The Puerto Rican-born, New York-raised artist began his career operating a renowned Greenwich Village leather shop that catered to famous clients, including the Rolling Stones and Aretha Franklin.
5 Artists on Our Radar in January 2026

5 Artists on Our Radar in January 2026

Rachel MacFarlane paints fantastical visions of plants and landscapes that feel lifted from speculative fiction. Before she begins painting, MacFarlane builds small paper constructions that distill the emotional forms of plants and places, using memory as a guide. The finished works glow with slick brushstrokes and electric hues of magenta, amber, orange, teal, and violet, drawing viewers into environments that feel at once lush and uncanny.
1 / 2
Sign up for updates

Receive information about exhibitions, artists and events.

We will process the personal data you have supplied in accordance with our privacy policy. You can unsubscribe or change your preferences at any time by clicking the link in any emails.