The Spring 2019 edition of our newsletter, with an essay from owner Hollis Taggart and standouts from our current inventory.
Hollis Taggart is profiled on Discoveries in American Art the leading publication for discoveries & rediscoveries.
Alex Kanevsky's painting Dinner with Dear Friend (2018) is illustrated in the March 2019 issue of Harper’s Magazine.
“Hollis Taggart’s program has always been driven by a vision of discovery—one that gives particular emphasis to both revealing and resurrecting the work and stories of significant but little-known historic artists. This year, the gallery will celebrate its 40th anniversary, and with this milestone, we are reaffirming our commitment to the vision that has made us successful for the last four decades,” said Hollis Taggart. “With that in mind, we are delighted to bring the estates of Michael West and Leon Berkowitz into our program. And more importantly, we look forward to enhancing knowledge of and fostering new dialogues on these two gifted artists, who have both made substantive contributions to the development of art history.”
Hollis Taggart is pleased to announce representation of the Estate of Norman Bluhm, Abstract Expressionist painter (1921-1999). From his early richly-layered canvases to his more structured and vibrant later works, Bluhm’s paintings are recognized for their compelling evocations of movement and energy. To mark the new collaboration, Hollis Taggart will present an exhibition focused on Bluhm’s work from the 1970s at its primary Chelsea location at 521 W. 26th Street, opening on March 14, 2019. The exhibition, Norman Bluhm: The ‘70s, will be accompanied by an essay by the poet and art critic John Yau, a long-time friend and advocate of Bluhm’s work.
Bill Scott is included in this group exhibition at The Eckert Art Gallery at Millersville University. This exhibition features a selection of original prints by Cindi Ettinger and nine additional artists who have created prints with Ettinger at, C. R. Ettinger Studio, which she established in Philadelphia in 1982. Working as a master printer for over three decades, Ettinger specializes in intaglio and relief processes. The relationship between master printer and artist is at the heart of the this work, produced collaboratively at the only professional etching studio in the Philadelphia area.
Audrey Flack is included in this group exhibition at the Parrish Art Museum. Every Picture Tells a Story, presents a series of focused exhibitions that explore the many ways that images carry narrative meaning.
Alan Wolfson is included in this group exhibition at the Bruce Museum in Greenwich, CT. With a focus on interior and exterior architecture, the diminutive works assembled in this exhibition explore history, memory, and fantasy.
Image: Alan Wolfson, Brooklyn Bridge Station (detail), 2008, Mixed media, 8 5/8 x 12 1/2 x 11 1/4 inches.
Please join Hollis Taggart for a panel discussion with contemporary artists William Buchina, Elizabeth Cooper, Hiroya Kurata, Matt Mignanelli, and Matt Phillips, developed in conjunction with the gallery’s current exhibition Highlight: Chelsea. Moderated by exhibition curator Paul Efstathiou and gallery founder Hollis Taggart, the discussion will explore the development of each artist’s practice and the formal and conceptual inquiries that guide their work.
Tuesday, October 23, 2018
6:30 PM
Hollis Taggart
521 W. 26th Street, 1st Fl
The panel discussion will be followed by a reception at the gallery, providing additional opportunity to engage with the artists, curator, and gallery leadership one-on-one. The event is part of Hollis Taggart’s expansion of its contemporary program, in line with its vision to provide a platform for emerging and under-recognized artists. Additional information about the participating artists and Highlight: Chelsea follow below.
If you plan to attend, please RSVP at 212.628.4000 or rsvp@hollistaggart.com. SEATS ARE LIMITED
New York, NY—October 16, 2018—Hollis Taggart announced today that the gallery will begin formally representing Idelle Weber, a major figure in the Pop Art movement, but one whose work deserves greater recognition. The gallery has had a multi-year relationship with Weber, beginning with its 2013 exhibition Idelle Weber: The Pop Years. Organized by the gallery, that 2013 show helped bring Weber back into the forefront of contemporary thinking about mid-century women artists—and led to the acquisition of a major Weber works, including the painting Munchkins I, II, & III (1964) by the Chrysler Museum of Art in 2013, and the Jump Rope (1967–1968) wall sculpture, by the Los Angeles County Museum of Art (LACMA) in 2016.
In conjunction with this new relationship, Hollis Taggart will present an exhibition of Weber’s work this fall, the gallery’s third show in its new, street-level space on West 26th Street. Opening November 8, 2018, the exhibition will focus on Weber’s work from the 1960s, with a few earlier and later works as well. The exhibition, titled Idelle Weber: Postures and Profiles from the 50s and 60s, will feature more than 30 works, including Lucite cube sculptures, collages, and gouache and tempera on paper works. These works address some of the themes that occupied and inspired Weber throughout her career, including the corporate world, fashion, politics, and women in society.
Hollis Taggart is pleased to announce the release of the Kay Sage Catalogue Raisonné on October 16, 2018. The hardcover, 520 page catalogue raisonné is being published by Delmonico • Prestel and includes 179 color illustrations. It encompasses the entire career of the American surrealist painter Kay Sage, this catalogue raisonné features all her known mature works and the latest scholarship on a brilliant artist.
Photo credit: Delmonico • Prestel
Alex Kanevsky's painting Bathroom is illustrated in the story “Come In, Come In” by Fiona Maazel for the October 2018 issue of Harper’s Magazine.
Kay Sage: Serene Surrealist recreates the American artist’s inaugural 1950 exhibition with the Catherine Viviano Gallery in New York. This exhibition is presented in conjunction with Collector and Benefactor: Kay Sage and James Thrall Soby, a focused display of six works from WCMA’s collection.
Photo credit: Kay Sage (1898-1963), Page 49, 1950, Oil on canvas, 18 1/8 x 15 1/8 inches, Williams College Museum of Art.
Audrey Flack is included in this group exhibition at the National Gallery of Australia. Drawn exclusively from our outstanding collection of American art, American Masters celebrates that nation’s artists from the 1940s to the 1980s.
Image: Audery Flack, Jolie madam [Pretty woman], 1973, Oil on canvas, 71 1/2 x 95 5/8 inches. Couretsy of the artist. Collection of the National Gallery of Australia.
In September, Hollis Taggart will inaugurate its new street-level gallery at 521 W. 26th Street, with an exhibition of significant recent acquisitions, including works by Alexander Calder, Adolph Gottlieb, Hans Hofmann, and Theodoros Stamos. The gallery will concurrently open a private viewing and storage annex across the street, with visits available by appointment. This consolidates the gallery’s operations in Chelsea, where it first moved in 2015. Together, the spaces provide Hollis Taggart with nearly 4,000-square-feet to host exhibitions and engage clients with select works of art in its inventory. The inaugural exhibition, which will open to the public on September 6, will be followed by an exhibition of mid-career and emerging artists, organized by independent curator Paul Efstathiou, in October, and a solo exhibition of works by acclaimed Pop artist Idelle Weber in November.
Hollis Taggart Galleries is pleased to announce Marla Friedman's commissioned three dimensional sculpture portraiture in clay, cast in bronze. The gallery is proud to exclusively represent the talented and highly respected artist's exquisite portraiture worldwide.
Assembled from the Albright-Knox’s expansive collection, Giant Steps: Artists and the 1960s features major works by some of the leading artists of the period—such as Bridget Riley, Frank Stella, and Pop icon Andy Warhol—and reconsiders those who played an underrecognized, but vital, role in furthering the visual avant-garde in the United States and beyond.
Photo credit: Idelle Weber, Reflection (detail), 1962, Liquitex on Berges #62 linen, 79 x 71 inches. Collection Albright-Knox Art Gallery, Buffalo, New York.
Gallery artist Alex Kanevsky's work Four Dours (2018) is included in the group exhibition ainters Who Fucking Know How to Paint at the Center on Contemporary Art, Seattle, WA.
Image: Four Doors, 2018. Courtesy of the artist.
Gallery artist Alex Kanevsky's work A.S. (2005) is included in the group exhibition We the People: Contemporary American Figurative Art at the Mesa Arts Center, Mesa, AZ.
Photo credit: A.S. (detail), 2005. Collection of Lisa Chadwick. Courtesy of the artist.
A selection of Alex Kanevsky's paintings are illustrated in the Spring 2018 edition of Stirring. Kanevsky’s painting New Hampshire Trees (2017) is illustrated on the homepage as well as J.F.H. with Nature Blanket (2017) as the introductory image for An East Coaster Considers California by Kara Oakleaf. His painting Walk-In Closet (2017) is illustrated alongside the literary offering Shadow Boxing by Brighde Moffat and Cosi Nayovitz. Founded in 1999, Stirring is one of the oldest continuously publishing journals on the internet.
Hollis Taggart Galleries and the work of Julius Tobias is featured on artnet.com's homepage.
Hollis Taggart Galleries is pleased to share that gallery portraitist Marla Friedman’s narrative bronze monument sculpture of renowned primatologist DBE Jane Goodall and the beloved Gombe chimpanzee David Greybeard, titled The Red Palm Nut, was unveiled by Dr. Goodall for its permanent installation at the Field Museum of Chicago on April 3rd.
SEATS ARE LIMITED
PLEASE RSVP
212.628.4000 or rsvp@hollistaggart.com
Please join Bill Scott as he gives an informal discussion about his work in his current exhibition Bill Scott: Leaf and Line.
The Spring edition of our newsletter, with an essay from owner Hollis Taggart and standouts from our current inventory.
Hollis Taggart Galleries is highlighted on artnet.com's home page for The Armory Show 2018.
Hollis Taggart Galleries congratulates Audrey Flack on receiving the Guild Hall's Academy of the Arts Achievement Award.
Hidden Narratives brings together a selection of recent acquisitions from LACMA’s growing collection of modern and contemporary art.
Image Credit: Idelle Weber, Jump Rope, 1967-68, Los Angeles County Museum of Art, Gift of the 2016 Collectors Committee (M.2016.143). © Idelle Weber. Photo © Museum Associates/LACMA
"Scharf’s paintings feel like visitations; ideas that appear as if from outside ourselves only to resonate inside with persistent echoes of the familiar." - Christopher Rothko
Photo: William Scharf, 1962. Photo credit: David Herbert Gallery.
Review of From Lens to Eye to Hand: Photorealism 1969 to Today at the Parrish Art Museum. Gallery artist Audrey Flack is included in this exhibition.
Photo credit: Detail of Wheel of Fortune (1977–8) courtesy of Audrey Flack
Audrey Flack is included in this group exhibition at the Nassau County Museum of Art. Artists throughout the ages have been intrigued by perceptual illusions, devising visual tricks to manipulate the perception of space, incorporating spatial illusion as an aspect of their art. Featured in this exhibition are 20th and 21st century artists whose work has explored illusion.
Audrey Flack is included in this group exhibition at The Heckscher Museum of Art. The exhibition explores artists' response to the intensely introspective approach of mid-20th-century Abstract Expressionism, Artists of the 1960s and 70s worked in a pluralism of styles that comprised two opposing trends: a neutral investigation of formal elements and a return to representation of the visible world.
Gallery artist Audrey Flack is featured in the New York Times discussing her sculpture Queen Catherine.
PAFA acquires gallery artist Audrey Flack’s large oil and acrylic canvas, World War II (Vanitas) (1976-77).
Bill Scott will be exhibiting painting Edge of the Sous Bois (1998) in Grand Strand Collects at Franklin G. Burroughs-Simeon B. Chapin Art Museum in Myrtle Beach, SC. The exhibition is curated by Liz Miller and runs from September 28 to December 14, 2017. Grand Strand Collects is an exhibition of art borrowed from private collections along the Grand Strand, our beloved coastal community stretching from the southern tip of Georgetown County up to the northernmost part of Horry County, South Carolina.
Bill Scott will be exhibiting works from four decades in his upcoming exhibition Bill Scott: The Landscape in Still Life, Paintings, Pastels, Prints & Watercolors: 1977–2017 at the Rider University Art Gallery located in Lawrenceville, NJ.
Review of gallery artist Bill Scott's solo exhibtiion Bill Scott: The Landscape In A Still Life at Rider University Art Gallery.
Bill Scott will be exhibiting a painting in Loaded Brush: The Oil Sketch and the Philadelphia School of Painting at Philadelphia Academy of the Fine Arts from September 23, 2017 to Febraury 4, 2018. The exhibition will explore Thomas Eakins’ practice of oil sketching, and the resulting legacy that continues to the present.
Audery Flack’s two works Ecstasy of St. Theresa (2013) and Une Bouchée d’Amour (2013) will be on view in the group exhibition, Ecstasy: Baroque and Beyond, at the UQ Art Museum, Australia.
Gallery artist Alex Kanevsky's work Man riding a horse from South Carolina to Key West in Search of Better Life (2017) will be included in the upcoming group exhibition at the Oakland University Art Gallery in Rochester, MI, Ethics of Depiction: Still Life, Landscape, Human, opening September 9, 2017.
Audery Flack’s painting Wheel of Fortune (1977-78) will be on view in the group exhibition, From Lens to Eye to Hand: Photorealism 1969 to Today, at the Parrish Art Museum.
Audery Flack’s painting Sojourner Truth (1980) will be on view in the group exhibition, About Face, at the Southampton Arts Center and presented by New York Academy of Art.
Audery Flack’s painting Queen (1976) is now on view in the group exhibition, Photorealism: 50 years of Hyperrealistic Painting, at the Tampa Museum of Art.
Works from our gallery inventory by Pablo Atchugarry and Allan D'Arcangelo are featured in an article about 520 West 28th Street, the condo building designed by Zaha Hadid.
Adonna Khare’s monumental pencil drawing Elephants (2012) is now on view in the group exhibition, Animal Meet Human, at the Crystal Bridges Museum of American Art.
The Summer edition of our newsletter, with an essay from owner Hollis Taggart and standouts from our current inventory.
Pablo Atchugarry's work is featured in an article about developer and art collector Edgardo Defortuna.
André Wagner’s photograph Holi 2, from the series: Holi - colorflow will be on view in the group exhibition, Reflections of India, at Kunstmuseum Moritzburg in Halle (Saale), Germany.
Photographer André Wagner’s photograph will have a solo exhibition, Movement in a Circle, at Museum Modern Art, Altes Gaswerk Hünfeld in Germany.
Alex Kanevsky's painting Three Views of a Bathroom (2016) is illustrated on the cover of the french language novel La Piqûre written by Marie-Christine Horn.
Alex Kanevsky's paintings Breathing Room (2014) and Morandi's Table (2014) are illustrated in Spring 2017 issue of The Moth, a magazine of arts and literature from Ireland.
Photo credit: Alex Kanevsky
The Spring edition of our newsletter, with an essay from owner Hollis Taggart and standouts from our current inventory.
Hollis Taggart Galleries is pleased to share that gallery artist Audrey Flack will be receiving the 2017 Women’s Caucus for Art Lifetime Achievement Award, which honors the contribution of women to the arts and the profound effect they have on society. Flack will be presented with this prestigious award along with art historian Mary Schmidt Campbell, multimedia artist Martha Rosler, and artist, educator, and activist Charlene Teters.
The first WCA Lifetime Achievement Awards were given in 1979 in President Jimmy Carter’s Oval Office to Isabel Bishop, Selma Burke, Alice Neel, Louise Nevelson, and Georgia O’Keefe. The next year, Flack herself nominated Lee Krasner for the honor.
The ceremony will be held at 8pm on Saturday, February 18th at the New York Institute of Technology and is free and open to the public.
Bill Scott will be showing eleven oil paintings and ten etchings/intaglio prints in his upcoming exhibition Bill Scott: The Most Unhampered of Days: Paintings & Intaglio Prints, 2003–2016 at the 849 Gallery located on the campus of Kentucky College of Art + Design at Spalding University.
Lisa Bradley’s painting Akasa II is now on view in the contemporary permanent collection located in the Delaware Art Museum.
Bill Scott’s Autumn Still Life (2012) is currently on view in Two Centuries of American Still-Life Paintings: The Frank and Michelle Hevrdejs Collection at the Museum of Fine Arts, Houston. This exhibition explores nearly 200 years of paintings in the genre, from the realism of the 18th century to Modernism, Pop art and beyond. Scott’s painting demonstrates the expansion of the still life genre into brilliant color abstraction. The exhibition will be on view until April 9, 2017. Then it wil travel to the Memphis Brooks Museum in Memphis, April 20 - July 30, 2017. The exhibition's final destination will be at the Tacoma Museum of Art from September 2, 2017 - January 7, 2018.
Photo credit: Gloria Groom, Chair of European Painting and Sculpture and David and Mary Winton Green Curator, The Art Institute of Chicago
Gallery artist Alex Kanevsky will be included in an upcoming exhibition at the Woodmere Art Museum in Philadelphia, A More Perfect Union?: Power, Sex, and Race in the Representation of Couples, opening February 2017. Kavensky’s enigmatic and lusciously painted Hotel (2008) aids the exhibition’s exploration of the different depictions of romantic couples in art. This exhibition will also investigate changing visual conceptions of couples beginning in the 19th century through the contemporary.
The Metropolitan Museum of Art’s recent rehang of its collection of early twentieth century modernism prominently features Manierre Dawson’s Meeting (The Three Graces) of 1912. Under the rubric of Reimagining Modernism, the museum has combined artworks from both sides of the Atlantic in thematic groupings that bring art historical heavy-hitters together with lesser-known works from the collection. As the first American painter to work completely non-objectively and an early practitioner of Cubism, Dawson’s innovative spirit shines through this work. It holds its own alongside paintings by Wassily Kandinsky, Marsden Hartley, Pablo Picasso, and many others in a gallery dedicated to the avant-garde impulses of the early days of modernism. As a longtime champion of Dawson’s work, Hollis Taggart Galleries is pleased to see Meeting (The Three Graces), which once graced our own gallery walls, in such prestigious and deserving company.
Lisa Bradley’s painting Stone Sound is now on view in the permanent collection located in the new Margaret M. Walter Wing of the Columbus Museum of Art.
The Fall edition of our quarterly newsletter, with an essay from owner Hollis Taggart and standouts from our current inventory.
Bill Scott's painting Two or Three Nudes in a Landscape will be included in the exhibition, Arthur B. Carles and His Expanding Circle: An Exhibition in Honor of Frances M. Maguire, at the Woodmere Art Museum in Philadelphia. The exhibition is offered as a tribute to Woodmere’s longtime trustee, Frances M. Maguire, a painter and sculptor who works in the tradition of the Carles legacy and continues to be one of the great champions of the arts of our city.
Follow Hollis Taggart Galleries on Tumblr to see content not featured on our website, including videos and interviews with our contemporary artists, as well as behind-the-scenes photos of exhibitions in progress.
Christopher Kompanek offers an alternative to the long lines and overwhelming crowds in New York City's museums, listing his top seven galleries in Chelsea -- including Hollis Taggart Galleries.
Read about more than 100 additions to Pérez Art Museum Miami's permanent collection, including a sculpture by Hollis Taggart Galleries' Pablo Atchugarry.
Hollis Taggart Galleries places sculpture by important female Pop artist, Idelle Weber in LACMA’s permanent collection.
Learn more about Pablo Atchugarry's process of direct carving.
This film investigates viewers' fraught relationship with Impressionist Pierre-Auguste Renoir. Hollis Taggart Galleries' Bill Scott weighs in.
Bill Scott's paintings Always Night and Day, The Last Days of August, and Turning Time to Flowers illustrated in CATAMARAN Literary Reader.
Hollis Taggart gave The Antiques and The Arts Weekly a thoughtful roundup of his booth at the 2016 Armory Show. Taggart exhibited works by Joseph Cornell, Elaine de Kooning, Hans Hofmann, Richard Pousette-Dart, Norman Bluhm, Alexander Calder, Helen Frankenthaler, Frank Stella, Pablo Atchugarry, Jack Twokov, and others.
Alex Kanevsky's painting Apple Tree illustrated in Harper's Magazine.
The Spring edition of our quarterly newsletter, with an essay from owner Hollis Taggart and standouts from our current inventory.
Our Frank Stella sculpture at 00:49 and a selection of Pop works by Tom Wesselmann, Roy Lichtenstein, and Keith Haring at 01:09.
Alex Kanevsky’s painting Ted’s Brook with Imaginary Ladies will be included in the group exhibition, 50 Shades of Red, at the Herter Gallery located on the campus of UMASS Amherst, Massachusetts.
Alan Wolfson's sculpture Hopp's Luncheonette highlighted. Photo by Andres Cuellar.
Hollis Taggart artist Alex Kanevsky discusses his artistic formation with Yoshino.
ARTIST DECODED BY YOSHINO is a podcast / passion project started in 2015. It currently ranks in the top #3 in the "Visual Arts" category and in the top 50 in the "Arts" category on iTunes.
The Fall edition of our quarterly newsletter, with an essay from owner Hollis Taggart and standouts from our current inventory.
A version of this article appears in the October 2015 issue of Art+Auction.
Features an interview with Hollis Taggart discussing the current state of the art market and suggests that location isn’t everything.
Andrew Goldstein highlights the ten best artworks at EXPO CHICAGO including Hollis Taggart Galleries' wall of Richard Pettibone miniturized readymades.
Bradley Rubenstein sheds light on the future of painting and includes Brenda Goodman as one of his examples -- one of the 14 artists featured in Hollis Taggart Galleries' "Painting is Not Doomed to Repeat Itself," curated by John Yau.
Review of Pablo Atchugarry's exhibition Eternal City, Eternal Marble on view at Museo dei Fori Imperiali through February 2016.
The Summer edition of our quarterly newsletter, with an essay from owner Hollis Taggart and standouts from our current inventory.
Review of Alfred Maurer: At the Vanguard of Modernism at the Addison Gallery of American Art.
Hollis Taggart Galleries would like to congratulate Pablo Atchugarry on his current museum exhibition at the Museo dei Fori Imperiali in Rome. Dramatically displayed in a 2nd century AD forum just steps from the Coliseum, the exhibition features a number of Atchugarry’s sculptures on both a small and monumental scale. There are fifteen works on view made specifically for this exhibition as well as select private loans from important Italian collections. Eternal City, Eternal Marble is on view until February 7th, 2016, and we recommend you add it to your itinerary for your next trip to Italy.
Review of Alfred Maurer: At the Vanguard of Modernism at the Addison Gallery of American Art.
Pablo Atchugarry’s Carrara marble sculptures are on view in Rome. Photography by Aurelio Amendola.
Hollis Taggart Galleries congratulates Audrey Flack on receiving her Honorary Doctorate from Clark University. This is an extraordinary achievement by an artist whose career has spanned more than six decades.
You can listen to Audrey’s commencement speech through the link below.
The Spring edition of our quarterly newsletter, with an essay from owner Hollis Taggart and standouts from our current inventory.
The Fall edition of our quarterly newsletter, with an essay from owner Hollis Taggart and standouts from our current inventory.
Hollis Taggart Galleries artist Marla Friedman profiled by The Huffington Post.
The Summer edition of our quarterly newsletter, with a thought-provoking essay from owner Hollis Taggart and a sampling of some standouts from our current inventory.
Hollis Taggart artist Marla Friedman sculpts Apollo 13 astronaut Captain James A. Lovell Jr.
Our Spring newsletter in a new format, including noteworthy recent acquisitions and a much anticipated essay from owner Hollis Taggart.
Hollis Taggart Galleries places three works by female Pop artist Idelle Weber in the Chrysler Museum of Art's permanent collection including Weber's monumental work Munchkins, I, II, & III (1964).
Our quarterly newsletter, "Art Market Report," features strong examples of our current inventory and a recurring essay by president Hollis Taggart that covers the economic trends of the art world.
'Herb and Dorothy 50x50" opens September 13, 2013 at IFC Center in New York, NY.
Watch this short video showcasing works at Art Southampton. Hollis Taggart's booth A7 is highlighted in the opening sequence.
The Daily Pic: Chicago painter Manierre Dawson launched into modern art before almost anyone else.
Photo credit: Gift of Myra Bairstow and Lewis J. Obi, M.D., 2007, The Metropolitan Museum of Art
May 18 through September 29, 2013
Six recent paintings by Bill Scott will be included in this group exhibition, Creative Hand, Discerning Heart: Form, Rhythm, Song, at the James A. Michener Art Museum, Doylestown, Pennsylvania.
May 14 through May 31, 2013
Flight from Nature proposes that a great deal of painting and sculpture today is concerned with the imitation of life. It aims to represent a man, a tree or a flower. By way of contrast, the artists represented in this exhibition exploit a purity of means, be that through line, color, or form, to create a complete, innocent, and at times savage, expression in the world.
John Thornton made individual videos about each of the eleven artists included in Creative Hand, Discerning Heart: Form, Rhythm, Song, (May 18 through September 29 at the James A. Michener Art Museum, Doylestown, Pa.).
Review of Pop Goes The Easel At Lyman Allyn Museum. Hollis Taggart artists Idelle Weber and Marjorie Strider are included in this exhibition.
Our quarterly newsletter, "Art Market Report," features strong examples of our current inventory and a recurring essay by president Hollis Taggart that covers the economic trends of the art world.
Review of Pop Goes The Easel At Lyman Allyn Museum. Hollis Taggart artists Idelle Weber and Marjorie Strider are included in this exhibition.
Review of Pop Goes The Easel At Lyman Allyn Museum. Hollis Taggart artists Idelle Weber and Marjorie Strider are included in this exhibition.
An update on the success of the 2013 Armory Show with comment by Hollis Taggart.
A summary of the 2013 Armory show noting major pieces in the Hollis Taggart Galleries booth.
March 2 through August 10, 2013
Pop Goes the Easel explores Pop Art of the 1960s and its impact on painting, printmaking, and sculpture in the decades that followed. Curated by Dr. Barbara Zabel, Professor Emeritus of Art History at Connecticut College, this exhibition includes works by the male Pop artists Andy Warhol, Claes Oldenburg, Robert Indiana, and Roy Lichtenstein, as well as works by women artists who received less attention, including Idelle Weber, Marjorie Strider, and Niki de Saint Phalle.
Our quarterly newsletter, "Art Market Report," features strong examples of our current inventory and a recurring essay by president Hollis Taggart that covers the economic trends of the art world.
Our quarterly newsletter, "Art Market Report," features strong examples of our current inventory and a recurring essay by president Hollis Taggart that covers the economic trends of the art world.